Movie Sd Good Enough For Mac Book Pro10/13/2021
Base Model 2020 MacBook Pro Features: Whether or not an iPhone 11 or the bare minimum MacBook Pro could be enough to edit on is largely based around what you’re creating and your final delivery schedule.If you work in a high-resolution, high volume, fast turn around industry obviously the base model 2020 MacBook Pro isn’t going to be for you, but for 99% of video productions it’s probably good enough to get by. It was portable but it was dead slow and had a price tag of around $30K – which didn’t include the hard drives.Computers have come a long way in a very short period of time, and honestly most cell-phones are faster than what professional editors were cutting Hollywood features on 15-20 years ago. It was one of the most uncomfortable editing systems I’ve ever used. Do you need all of the bells and whistles of a fully-loaded Mac Pro desktop, or will something small and portable suffice? Does the system need to cost you an arm and a leg, or can you get by with the base model?Long ago, I edited a 2-hour long documentary on an Avid System that was built to be dropped from a helicopter into a war zone.FCPx is an Apple product that is designed to work on Apple Computers, however, most editing software will perform similarly to the example presented here.It is important to look at editing performance and rendering performance separately. His posts feature about three video streams and have a total editing length of about 5-8 minutes.This editor prefers to cut in FCPx, which is a great choice for professional editing. Since all current MacBook Pros only have Thunderbolt 3 ports, you’ll need additional adapters for SD cards and other media.In this example, The Everyday Dad will attempt to cut his regular video blog post with footage from the Panasonic GH5 in 4K 4:2:2 10-Bit.RenderingThe final edited length of the video is 4 1/2 minutes, and the system performs very well, taking only 7 minutes and 19 seconds to output. Having multiple streams of video stacked on top of one another will decrease your CPU, GPU, and drive speed – you’re moving around a lot of data without any real purpose. There is nothing worse than editing footage that doesn’t play correctly and it can be a massive waste of your time.On top of that, unless you are compositing or blending multiple streams of video together its best practices to collapse all of your edits down to one video track. ProRes Proxy is a very light, system-friendly codec that will drastically improve your editing experience. When he starts to add in additional layers of 4K video and color grading, there is a noticeable drop in the performance and the systems fan is running, which means the processor is struggling to keep up.Four streams of 4K video is a little more than the base MacBook Pro 13″ can handle for a smooth playback, but as he points out you can edit from proxy media which will speed up your performance dramatically.In fact, I always recommend ingesting and transcoding all of your footage to ProRes Proxies prior to cutting anything, regardless of your NLE or machine power. Barely a frame is skipped during playback and the system is handling the footage really well.As he points out, the iPad Pro actually has faster render times (if you don’t mind editing on a tablet). ConclusionAlmost any computer can work as an editing system as long as you have a solid workflow for ingesting. Quality and codecs will effect render time, and that isn’t mentioned in the video.
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